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Multi-technique analysis of the mural materials and techniques in the 5th cave of the five temple grottoes in Subei, China
1. Introduction
The Five Temple Grottoes are located 20 kilometers northwest of the county town of Subei Mongolian Autonomous County in Gansu Province, China, along the cliff on the west bank of the Danghe River (Fig. 1(a, b)), approximately 100 kilometers from the UNESCO World Heritage Site of Dunhuang Mogao Grottoes, making it an important part of the Dunhuang grotto complex.
The earliest caves of the Five Temple Grottoes were excavated in the late Northern Dynasties period, followed by excavations and repainting during the Tang Dynasty, Five Dynasty, Northern Song Dynasty, and Western Xia Dynasty, with a total of 21 existing caves and approximately 380 square meters of murals [1]. These murals enrich the content of Dunhuang grotto art and provide valuable materials for studying the historical culture of the Hexi region, holding significant value.
Currently, six caves are preserved on the cliff face, all of which are central pillar caves. Caves 1–4 have complete structures and rich mural content, while the preservation condition of Caves 5 and 6 is relatively poor, with some parts having already collapsed [2].
According to archaeological research, Cave 5 was excavated during the Northern Zhou Dynasty (557–581 AD) and repainted during the Northern Song Dynasty (960–1127 AD). The front chamber of this cave has completely collapsed, leaving only the central pillar and the rear chamber, with the rear part having a flat top. There are well-preserved circular niches on the west and north sides of the central pillar. The top rear of the cave retains floral patterns painted during the Northern Song Dynasty, and the upper part of the east end of the north wall is damaged, revealing paintings from the Northern Zhou Dynasty [3] (Fig. 1(c, d)).
The overall preservation condition of the Five Temple Grottoes is poor, with the murals suffering from flaking, powdering, and detachment of the paint layer, as well as alkalization and hollowing of the plaster layer. Protection work is urgently needed, and there is currently little research specifically on the Five Temple Grottoes, especially regarding the materials and technological characteristics of mural production. Against this background, this study employed various analytical methods, including polarizing microscopy, laser particle size analyzer, micro-infrared imaging spectrometer (FT-IR), X-ray diffraction (XRD), and scanning electron microscopy-energy dispersive X-ray spectroscopy (SEM-EDX)。
Focusing on the fragments of collapsed murals from Cave 5. Through in-depth analysis of the mural pigments and technological characteristics, this study aims to understand the artistic materials and technological characteristics of the murals from the Northern Zhou Dynasty and Northern Song Dynasty periods in Cave 5, expand the scientific understanding of these murals, and provide scientific support for their protection and restoration.
2. Experimental section
2.1. Instruments and methods
Firstly, the collected samples were sequentially numbered and photographed. Trace amounts were taken from the paint layer and the for analysis, and the bulk pigment samples were embedded in resin. Polarizing microscopy [4] and scanning electron microscopy-energy dispersive X-ray spectroscopy (SEM-EDX) [5] were used to observe the stratigraphic structure of the murals. A laser particle size analyzer was used to measure the particle size and distribution information of the plaster layer [6]. A micro-infrared imaging spectrometer (FT-IR) [7], [8] was used to analyze the fiber material composition in the plaster layer [9]. X-ray diffraction analysis (XRD) was used to identify the mineral pigments in the murals [10]. The analytical instruments and conditions are as follows:
2.1.1. Preparation of mural cross-section samples and observation by polarizing microscopy
The preparation process involved carefully selecting about 1 mm² pigment fragments (red×2, blue, green, white×2, black) from the collapsed mural samples using tweezers. After removing dust, these samples were embedded with EpoThin™ 2 resin and curing agent. Once solidified, the resin blocks were polished to reveal the observation surface for microscopy. A DMLP polarizing microscope (10X eyepiece, FOV=22–25 mm; 12 V 100 W halogen lamp for transmitted and reflected illumination; CCD or camera system shared with various microscopic image analysis software) produced by Leica, Germany, was used for microscopic observation.
2.1.2. Laser particle size analyzer
Approximately 1 g of plaster sample was weighed using an analytical balance, lightly ground in an agate mortar, and sieved through a 1 mm mesh after isolating fibrous materials. The sieved samples were then used for particle size analysis. Use Malvern Mastersizer 3000, detection range: 0.01–3500 μm, switching to wet method testing by adding the sample to the wet sample cell and completing the test.
2.1.3. Micro-infrared imaging spectrometer fourier transform infrared spectroscopy (FT-IR)
Fibrous materials isolated during the preparation process in Section 2.1.2 were placed on a transparent substrate of the instrument for detection and analysis. Use Thermo Scientific Nicolet iN10 MX micro-infrared imaging spectrometer, liquid nitrogen-cooled MCT/A detector, using transmission mode, test range 6000–600 cm−1, spectral resolution 4 cm−1, number of scans: 64 (transmission mode), 128 (ATR mode).
2.1.4. X-ray diffraction analysis (XRD)
A surgical blade was used to carefully scrape samples of plaster and pigments from the murals. The powder method was employed for analysis. The collected samples were finely ground and placed onto a single-crystal silicon substrate for testing. Phase analysis was performed using a Dmax/2500X X-ray diffractometer (Japan). Copper target, analysis voltage 40 kV, current 100 mA, continuous scan; scan range 5°-70°, graphite monochromator filter.
2.1.5. Scanning electron microscopy coupled with energy-dispersive X-ray spectroscopy (SEM/EDS)
Sample preparation procedure was the same as described in Section 2.1.1. The samples used for SEM-EDS analysis were identical to those prepared for polarized light microscopy. Prior to analysis, the samples underwent gold sputter coating to ensure accurate imaging and elemental analysis. Use JEOL JSM-6610LV scanning electron microscope-energy dispersive X-ray spectrometer was used to analyze the microstructure and elemental distribution of the pigments. Analysis voltage 20 kV, minimum resolution 5.0 nm. INCA X-ACT 250 energy spectrometer, minimum resolution 129 eV (5.9 keV).
2.2. Samples
In this study, three samples of collapsed mural fragments were collected, including two from the surface murals and one from the bottom layer. Pigment samples of various colors, clay, and fiber from the plaster layer were obtained from the fragments. The samples, selected from the collapsed mural paintings shown in Fig. 1(c), were first examined under a low-power microscope to choose suitable fragments for analysis. Fig. 2(a) illustrates pigment samples from the bottom-layer mural paintings, including gray and white pigments, red and black pigments, and fibers from the plaster layer. Fig. 2(b) displays two collapsed fragments of surface Song Dynasty mural paintings and one collapsed fragment of bottom-layer Northern Zhou mural paintings, Fig. 2(c) shows pigment samples from the surface mural paintings in descending order: red and white pigments, and green and blue pigment samples from the surface Song Dynasty murals paintings.
3. Results and discussion
3.1. Stratigraphic structure of murals
Polarizing microscopy observation revealed (Fig. 3) that the stratigraphic structure of the Northern Zhou Dynasty murals at the bottom layer consists of: support body—coarse plaster —fine plaster —red ground layer—paint layer. The support body is the cliff of the Five Temples Grottoes. The plaster layer is relatively white, similar to the kaolin used in Dunhuang murals, with a thickness of about 7–20 mm and mixed with fiber material. The red ground layer is about 0.024–0.086 mm thick, and the paint layer varies in thickness depending on the pigment composition, approximately 0.025–0.062 mm. The most distinctive technique of the bottom layer murals in Cave 5 of the Five Temples Grottoes is the use of red pigment as the ground layer. This technique is characteristic of the era and is similarly used extensively in the Northern Zhou caves at Mogao, such as caves 290, 297, 301, 428, 430, 432, and 438 [11]. The stratigraphic structure of the Northern Song Dynasty surface murals consists of: coarse plaster —fine plaster —white ground layer—paint layer. The plaster layer is about 3–10 mm thick, with different fiber materials added to the coarse plaster and fine plaster. The white ground layer is about 0.057–0.2 mm thick, and the paint layer varies in thickness depending on the pigment composition, approximately 0.013–0.055 mm. This white ground layer mural technique is widely used in the Tang, Northern Song Dynasty, Western Xia, and Yuan caves at Mogao. In summary, the stratigraphic structure of the murals in Cave 5 of the Five Temples Grottoes is, from inside to outside: support body—plaster layer—red ground layer—paint layer—plaster layer—white ground layer—paint layer.
3.2. Analysis results of the mural paint layers
3.2.1. XRD analysis results
Pigments were sampled using micro-sampling techniques. Dust was removed from the sample surfaces with cotton balls, and pigments of different colors were gently scraped using a scalpel. Samples weighing less than 0.2 mg were qualitatively analyzed using an X-ray diffractometer (XRD) [12], [13], [14], [15]. Given that these are layered murals, samples of red, white, black, and gray pigments from the Northern Zhou Dynasty bottom layer and white, blue, green, and red pigments from the Northern Song Dynasty surface layer were selected, totaling eight pigment samples. The XRD analysis results of the samples are detailed in Table 1, Table 2 and Fig. 4 The red pigment from the Northern Zhou Dynasty bottom layer shows diffraction peaks at 2θ values of 24.11°,33.15°, 35.67°, and 54.17°, corresponding to d-values of 3.7, 2.70, 2.52, and 1.69 matching the standard diffraction peaks of hematite (chemical formula Fe2O3). Other phases include quartz, muscovite, chlorite, and feldspar [16]. The white pigment XRD results show that the main phases are muscovite, quartz, calcite, Weddellite, and chlorite, with muscovite (chemical formula (K,Na)Al2Si3AlO10(OH)2) and calcite (chemical formula CaCO3) as the coloring components. Weddellite might be a product formed under the action of water and biological activity in the collapsed fragments [17]. The gray pigment XRD results show diffraction peaks at 2θ values of 25.44°, 32°, 36.26°, and 49.04°, corresponding to d-values of 3.5, 2.79, 2.48, and 1.85, matching the standard diffraction peaks of Plattnerite (chemical formula PbO2). Other phases include talc, quartz, feldspar, muscovite, and calcite. Based on the microscopic images of the fragments in Fig. 2, the gray paint layer consists of sporadic black pigment particles distributed over the white pigment, with Plattnerite being a product of the alteration of red lead [18]. The black pigment XRD results show that the coloring component is also Plattnerite. Other phases include quartz, muscovite, feldspar, chlorite, and calcite. Plattnerite is also a product of the alteration of red lead [19].
Table 1. X-ray Diffraction phase analysis results of pigment samples from Cave 5.
Color | Main phase | Color developing phase | Color developing phase chemical formula |
---|---|---|---|
Red | Quartz, Muscovite, Chlorite, Albite, Calcite, Hematite | Hematite | Fe2O3 |
Black | Quartz, Talc, Lead dioxide, Chlorite, Calcite, Potassium feldspar, Sodium Feldspar, Muscovite | Plattnerite | PbO2 |
White | Muscovite, Calcite, Quartz, Weddellite, Chlorite | Muscovite Calcite Weddellite |
KAl2(AlSi3O10) (OH)2 CaCO3 CaC2O4 |
Grey | Lead dioxide, Talc, Quartz, Laurionite, Chlorite | Plattnerite | PbO2 |
Green | Hard gypsum, Quartz, Chalcopyrite, Sodium feldspar, Calcite, Muscovite, Chlorite, Gypsum | Atacamite | Cu2(OH)3Cl |
Red | Hard gypsum, Quartz, Sodium feldspar, Hematite, Calcite, muscovite, Gypsum, Chlorite | Hematite | Fe2O3 |
Blue | Quartz, Sodium feldspar, Chalcopyrite, Calcite, Muscovite, chlorite, Gypsum | Azurite | Cu3(CO3)2(OH)2 |
White | Quartz, Sodium feldspar, Calcite, Gypsum, Weddellite, Muscovite, Chlorite | Calcite Gypsum Muscovite Weddellite |
CaCO3 CaSO4·2 H2O KAl2(AlSi3O10) (OH)2 CaC2O4 |
Table 2. XRD phase analysis results of trace samples in the 5th Cave of the Five Temple Grottoes.
No. | The Northern Zhou Dynasty (557–581 AD) | The Northern Song Dynasty (960–1127 AD) | ||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Red | White | Grey | Black | Red | White | Blue | Green | |||||||||||||||||
2θ | d | I/I0 | 2θ | d | I/I0 | 2θ | d | I/I0 | 2θ | d | I/I0 | 2θ | d | I/I0 | 2θ | d | I/I0 | 2θ | d | I/I0 | 2θ | d | I/I0 | |
1 | 8.90 | 9.99 | 18 | 8.80 | 10.11 | 65 | 9.43 | 9.34 | 78 | 8.80 | 10.00 | 44 | 8.80 | 10.08 | 24 | 8.80 | 10.06 | 27 | 8.80 | 9.98 | 15 | 11.62 | 7.58 | 14 |
2 | 11.62 | 7.58 | 15 | 12.37 | 7.14 | 55 | 11.68 | 7.58 | 25 | 12.48 | 7.09 | 34 | 11.56 | 7.65 | 18 | 11.62 | 7.61 | 20 | 12.43 | 7.10 | 14 | 12.60 | 7.07 | 14 |
3 | 12.37 | 7.12 | 17 | 14.85 | 5.98 | 40 | 18.99 | 4.67 | 21 | 14.96 | 5.95 | 22 | 12.37 | 7.13 | 19 | 12.48 | 7.10 | 22 | 14.85 | 5.96 | 12 | 16.11 | 5.48 | 28 |
4 | 20.83 | 4.25 | 30 | 17.61 | 5.02 | 27 | 20.76 | 4.27 | 17 | 17.72 | 5.00 | 18 | 14.85 | 5.97 | 15 | 14.90 | 5.94 | 30 | 17.09 | 5.18 | 15 | 17.61 | 5.00 | 14 |
5 | 24.11 | 3.70 | 6 | 18.70 | 4.75 | 26 | 22.16 | 4.01 | 16 | 20.78 | 4.26 | 27 | 20.78 | 4.27 | 17 | 20.78 | 4.26 | 32 | 17.38 | 5.10 | 11 | 20.89 | 4.25 | 14 |
6 | 24.98 | 3.57 | 13 | 20.72 | 4.28 | 37 | 25.44 | 3.50 | 86 | 24.29 | 3.66 | 18 | 21.98 | 4.04 | 11 | 24.40 | 3.65 | 38 | 20.83 | 4.27 | 20 | 25.44 | 3.50 | 100 |
7 | 26.65 | 3.34 | 100 | 24.23 | 3.66 | 33 | 26.71 | 3.34 | 29 | 25.15 | 3.53 | 22 | 23.48 | 3.79 | 30 | 25.09 | 3.54 | 18 | 24.23 | 3.68 | 17 | 26.36 | 3.37 | 25 |
8 | 27.91 | 3.20 | 13 | 25.04 | 3.56 | 33 | 27.17 | 3.29 | 19 | 26.65 | 3.35 | 100 | 24.35 | 3.67 | 12 | 26.59 | 3.35 | 100 | 25.15 | 3.54 | 46 | 26.65 | 3.34 | 36 |
9 | 29.12 | 3.06 | 9 | 26.59 | 3.35 | 100 | 28.66 | 3.12 | 100 | 27.65 | 3.24 | 36 | 25.32 | 3.51 | 100 | 27.86 | 3.19 | 43 | 26.53 | 3.35 | 100 | 27.97 | 3.20 | 14 |
10 | 29.41 | 3.03 | 10 | 27.91 | 3.20 | 30 | 29.12 | 3.06 | 21 | 27.86 | 3.20 | 33 | 26.59 | 3.35 | 84 | 29.35 | 3.03 | 37 | 28.20 | 3.16 | 67 | 29.53 | 3.03 | 14 |
11 | 31.20 | 2.87 | 7 | 28.43 | 3.14 | 23 | 32.00 | 2.79 | 87 | 29.47 | 3.03 | 30 | 27.86 | 3.20 | 18 | 30.22 | 2.97 | 34 | 29.41 | 3.03 | 29 | 31.48 | 2.84 | 22 |
12 | 33.15 | 2.70 | 6 | 29.35 | 3.04 | 48 | 36.26 | 2.48 | 40 | 30.91 | 2.89 | 30 | 29.41 | 3.04 | 24 | 30.91 | 2.89 | 38 | 30.91 | 2.90 | 14 | 32.12 | 2.79 | 20 |
13 | 35.67 | 2.52 | 9 | 30.68 | 2.92 | 33 | 40.75 | 2.21 | 10 | 32.00 | 2.80 | 20 | 30.85 | 2.90 | 22 | 35.97 | 2.49 | 20 | 35.17 | 2.55 | 16 | 38.62 | 2.33 | 14 |
14 | 36.61 | 2.46 | 14 | 35.97 | 2.50 | 27 | 49.04 | 1.85 | 68 | 36.55 | 2.46 | 17 | 31.31 | 2.86 | 16 | 38.11 | 2.35 | 20 | 35.74 | 2.52 | 17 | 39.66 | 2.28 | 18 |
15 | 39.43 | 2.28 | 11 | 36.43 | 2.46 | 33 | 52.10 | 1.75 | 20 | 39.43 | 2.28 | 15 | 36.44 | 2.46 | 11 | 39.43 | 2.28 | 15 | 36.55 | 2.46 | 14 | 40.87 | 2.21 | 11 |
16 | 42.60 | 2.13 | 9 | 39.37 | 2.29 | 29 | 54.23 | 1.69 | 11 | 49.16 | 1.86 | 14 | 38.51 | 2.34 | 10 | 42.36 | 2.13 | 13 | 39.03 | 2.30 | 15 | 47.72 | 1.90 | 15 |
17 | 50.20 | 1.82 | 14 | 40.98 | 2.20 | 26 | 58.90 | 1.57 | 17 | 50.08 | 1.82 | 25 | 40.81 | 2.21 | 10 | 47.55 | 1.91 | 14 | 40.41 | 2.23 | 17 | 48.81 | 1.87 | 13 |
18 | 59.93 | 1.54 | 9 | 45.42 | 2.00 | 24 | 60.78 | 1.52 | 23 | 55.03 | 1.67 | 10 | 43.29 | 2.09 | 10 | 50.14 | 1.82 | 22 | 46.45 | 1.95 | 10 | 50.13 | 1.82 | 12 |
19 | 54.17 | 1.69 | 5 | 50.08 | 1.82 | 25 | 62.46 | 1.49 | 17 | 59.87 | 1.54 | 15 | 48.70 | 1.87 | 13 | 59.98 | 1.54 | 13 | 50.08 | 1.82 | 18 | 52.33 | 1.75 | 16 |
20 | 68.27 | 1.37 | 7 | 59.87 | 1.54 | 31 | 66.95 | 1.40 | 14 | 68.16 | 1.38 | 9 | 52.15 | 1.75 | 11 | 68.16 | 1.37 | 12 | 57.68 | 1.60 | 15 | 55.82 | 1.65 | 11 |
The red pigment XRD results show that the coloring component is hematite. Other phases include gypsum, anhydrite, calcite, feldspar, and muscovite. The white ground layer pigment mainly comprises calcite, gypsum, quartz, feldspar, Weddellite, muscovite, and chlorite, with calcite and gypsum as the main coloring phases. The blue pigment XRD results show strong diffraction peaks at 2θ values of 17.38°, 24.23°, 25.15°, and 40.41°, corresponding to d-values of 5.10, 3.68, 3.54, and 2.23, matching the standard diffraction peaks of azurite (chemical formula Cu3(CO3)2(OH)2) [20]. The green pigment XRD results show diffraction peaks at 2θ values of 16.11°, 17.61°, 31.48°, and 39.66°, corresponding to d-values of 5.48, 5.00, 2.84, and 2.28, matching the standard diffraction peaks of atacamite (chemical formula Cu2(OH)3Cl).
3.2.2. Scanning electron microscopy analysis results
Fig. 5(a) shows the cross-section of the green paint layer from the surface mural. Under the microscope, the surface appears green with a thickness of approximately 33 μm. SEM-EDS [21]analysis indicates the presence of Cu and Cl elements, and combined with XRD analysis results, the coloring component is identified as atacamite (Cu2(OH)3Cl). Below the green paint layer is a white ground layer with a thickness of approximately 57 μm. Fig. 5(b) shows the cross-section of the red paint layer from the surface mural. Under the microscope, the surface appears red [22] with a thickness of approximately 13μm. It mainly contains Ca, S, and Fe elements, and combined with XRD analysis results, the coloring component is identified as hematite (Fe2O3), The strong peaks of "Ca" and "S" in the spectrum are due to the selected spectral region also containing gypsum (CaSO₄·2H₂O). Below the red paint layer is a white ground layer with a thickness of approximately 56μm. Fig. 5(c) shows the cross-section of the blue paint layer from the surface mural. Under the microscope, the surface appears blue with a thickness of approximately 54μm. The pigment particles are relatively large and mainly contain Cu elements. Combined with XRD analysis results, the coloring component is identified as azurite. Below the blue paint layer is a white ground layer with a thickness of approximately 132 μm. Fig. 5(d) and 4 (e) show the cross-sections of the black and red paint layers from the bottom mural. Under the microscope, the black paint layer appears on the surface with a thickness of approximately 38 μm, and below it is a red paint layer with a thickness of approximately 63μm. SEM-EDS analysis indicates that the black pigment contains Pb elements and the red pigment contains Fe elements. Combined with XRD analysis results, the black pigment is identified as Plattnerite, and the red pigment is identified as hematite. Fig. 5(f) shows the cross-section of the gray paint layer from the bottom mural. Under the microscope, sporadic black pigment particles are distributed on the surface, with a thickness of approximately 62 μm. SEM-EDS analysis indicates that the gray pigment contains Pb elements, and combined with XRD analysis results, the component is identified as Plattnerite (PbO2) [23], [24].
Based on the combined XRD and SEM analysis results, the bottom Northern Zhou Dynasty mural of Cave 5 at Five Temple Grottoes uses red ochre as the ground layer. The coloring components of the black and gray pigments are both Plattnerite, a product of the alteration of red lead. The coloring components of the white pigment are calcite, muscovite, and talc. Calcite white pigment has good whiteness but is difficult to color, a problem effectively solved by the addition of talc and muscovite. The surface Northern Song Dynasty murals use mineral pigments, including blue azurite, green atacamite, and red hematite. Unlike the bottom murals, the main coloring components of the white ground layer are a combination of calcite and gypsum, consistent with the materials and techniques used in the contemporary murals of the Mogao Caves at Dunhuang [25].
3.3. Analysis results of the plaster layer
3.3.1. Analysis of plaster layer particles
Using an analytical balance, at least 1 g of Plaster Layer sample was weighed, gently ground with an agate mortar, the fibrous material was removed, and the sample was sieved through a 1 mm screen before being added to the instrument for analysis [26]. The analysis results are shown in Table 3. As shown in the table, the particle size and distribution of soil samples from the coarse and fine plasters of the bottom and surface murals are different. The average particle size of the surface Plaster Layer’s coarse and fine plasters is similar, around 20 μm, but the sand and silt content distribution differs. Specifically, the fine plaster has 12.49 % less sand content than the coarse plaster and 15.03 % more silt content. A similar situation is observed in the bottom Northern Zhou Dynasty murals, where the fine plaster has 10.13 % less sand content than the coarse plaster, and 12.03 % more silt content, with similar clay content. Overall, the average particle size of the bottom Northern Zhou Dynasty Plaster Layer is smaller, and the clay content in the Plaster Layer is 14.43–9.98 % higher than that of the surface mural Plaster Layer. The particle distribution of different Plaster Layer samples is shown in Fig. 6.The Plaster Layer production techniques for the multi-layered murals of Cave 5 at Five Temple Grottoes are essentially the same as those of the Dunhuang Grottoes. Both Northern Zhou Dynasty and Song Dynasty murals use a coarse plaster with more sand as a base on the cliff, followed by a more uniform fine plaster to level the surface, making it smooth and suitable for painting. The difference lies in that field investigations found that the Northern Zhou Dynasty murals used the same fiber in both the coarse and fine plasters, while the Northern Song Dynasty murals used different fibers [27].
Table 3. Analysis results of particle composition in the plaster layer of cave 5.
Sample information | Sand /% (2000–75 μm) |
Slit/% (75–5 μm) |
Clay /% (<5 μm) |
Average particle size / μm |
---|---|---|---|---|
Surface coarse plaster | 25.79 | 53.07 | 21.14 | 20.8 |
Surface fine plaster | 13.3 | 68.1 | 18.6 | 19.1 |
Bottom coarse plaster | 15.02 | 51.96 | 33.03 | 9.43 |
Bottom fine plaster | 4.89 | 63.99 | 31.12 | 9.05 |
3.3.2. XRD analysis of plaster
XRD analysis of different plaster samples reveals similar phase compositions, as shown in Table 4. The multilayered murals in Cave 5 of the Five Temples Caves exhibit comparable phase compositions in both Northern Zhou Dynasty and Northern Song Dynasty plasters, including approximately 30 %-40 % quartz, 10 %-15 % calcite, around 20 % feldspar minerals, 5 %-10 % mica, with chlorite and dolomite varying significantly from about 5 %-15 %. This is consistent with the phase compositions of plaster in the Mogao Caves murals [28]. Additionally, a small amount of gypsum was found in the fine plaster of the upper murals, which is attributed to contamination from the white ground layer during sampling.
Table 4. X-ray Diffraction phase analysis results of plaster layer samples from Cave 5 (unit: %).
Sample ID | Quartz | Calcite | Sodium feldspar | Muscovite | Chlorite | Kaolinite | Potassium feldspar | Gypsum | Total amount |
---|---|---|---|---|---|---|---|---|---|
Surface coarse plaster | 28.0 | 14.4 | 13.6 | 11.4 | 15.5 | 5.1 | 5.4 | 5.0 | 100 |
Surface fine plaster | 42.9 | 12.8 | 17.0 | 4.8 | 6.5 | 10.4 | 5.6 | – | 100 |
Bottom coarse plaster | 28.6 | 9.8 | 18.8 | 12.8 | 22.5 | 3.5 | 4.0 | – | 100 |
Bottom fine plaster | 29.5 | 18.8 | 16.8 | 8.1 | 12.9 | 6.1 | 7.8 | – | 100 |
3.3.3. Microscopic infrared spectroscopy analysis of plaster layer fibers
Fibrous components were found in both surface and bottom mural samples. However, the fibers in the coarse and fine plasters of the bottom murals are similar and are suspected to be straw fibers. In contrast, the fibers in the surface fine plaster and coarse plaster differ in thickness, with the coarse plaster potentially containing straw and the fine plaster potentially containing hemp fibers. We designate the fibers in the surface fine plaster as Sample1, the coarse plaster as Sample 2, and the bottom layer fibers as Sample3 and Sample4.The results of the microscopic infrared spectroscopy analysis are shown in Fig. 7. The figure indicates that Sample1 exhibits an absorption peak at 1730 cm⁻¹ , while no peak is observed at this position for Samples 2, 3, and 4, which is a characteristic peak of hemp fibers [29]. The spectra of Samples 2, 3, and 4 are quite similar, with all showing strong and broad absorption peaks at 3335 cm⁻¹ . These peaks correspond to the stretching vibrations of hydroxyl (OH) groups. Specifically, the vibrations arise from free hydroxyl groups, silanol (Si-OH) groups associated with the straw surface, other chemically bound hydroxyls, and absorbed moisture. At 2900 cm⁻¹ , C-H stretching vibrations are observed, and an absorption peak for water hydroxyls appears near 1621 cm⁻¹ . Additionally, numerous small shoulder peaks are present in the range of 1200–900 cm⁻¹ , which are attributed to C-O-C stretching vibrations. These are characteristic absorption bands of cellulose.
It is known that straw and hemp differ primarily in lignin content, cellulose characteristic peaks, and CO stretching vibrations. Straw has a higher lignin content, thus the aromatic ring C-H bending vibrations in the 1500–1600 cm⁻¹ range are more pronounced in the infrared spectrum. Hemp fibers have a higher cellulose content, so the intensity of O-H stretching vibrations in the 3200–3400 cm⁻¹ range and C-O-C vibrations in the 1050–1150 cm⁻¹ range is higher in the infrared spectrum.
Garside [30] and Wang et al. [31] selected the 1595 cm⁻¹ peak to represent lignin (Fig. 7, green area), the 1105 cm⁻¹ peak to represent cellulose (Fig. 7, yellow area), and the 2900 cm⁻¹ peak to represent total organic matter (Fig. 7, blue area). They measured the intensity of these three peaks for different types of hemp fibers and calculated the R1 (I1595/I1105) and R2 (I1595/I2900) values, finding significant differences in R1 and R2 values among various hemp fibers [32].
The same method was applied to wheat straw fibers, with results shown in Table 5. It is known that the main component ratios in hemp fibers are: cellulose (60–70 %), lignin (5–10 %), and hemicellulose. In wheat straw, the main component ratios are: cellulose (35–45 %), lignin (20–30 %), and hemicellulose (25–30 %). In Sample 1, R1 is 0.2975, while the R1 values for Samples 2, 3, and 4 are around 0.8388. The higher R1 ratio in these samples indicates that Sample 1 contains more cellulose compared to Samples 2, 3, and 4. Thus, Sample 1 is identified as hemp fiber, and Samples 2, 3, and 4 are identified as wheat straw. From these findings, it was concluded that the fibers in the fine plaster layer of the surface mural samples were flax, while the coarse plaster layer contained straw. For the bottom layer mural samples, both the coarse and fine plaster layers were determined to contain straw fibers.
Table 5. R1 and R2 values of different fibers.
Empty Cell | Flax | Hemp | Ramie | Bamboo | Sisal | Jute | Sample 1 | Sample 2 | Sample 3 | Sample 4 | |
---|---|---|---|---|---|---|---|---|---|---|---|
R1 | 0.3557 | 0.5142 | 0.4940 | 0.6030 | 1.2003 | 0.2208 | 0.2795 | 0.8269 | 0.8343 | 0.8551 | |
R2 | 0.5688 | 0.8092 | 0.8307 | 0.4331 | 2.0706 | 0.4586 | 0.6973 | 0.9889 | 0.9489 | 1.0038 |
Additionally, we plotted R1 on the Y-axis and R2 on the X-axis to create a scatter plot and compared it with other fibers from the literature. The results, shown in Fig. 8, indicate that the R1 and R2 values of fibers in Sample 1 are closer to those of flax. Flax fibers are known as the "queen of plant fibers" and have been cultivated and used in China for over 2000 years [33]. Flax plants are categorized by use into fiber and oil types. Flax fibers are obtained from the bast of the flax plant and are used to produce medium and high-quality linen textiles [34].
4. Conclusions
This study primarily investigates the collapsed mural fragments from Cave 5 of the Five Temples Caves through microscopic, structural, compositional, and production process analyses, leading to the following conclusions:
- (1)
The murals in Cave 5 of the Five Temples Caves are multilayered. The lower layer is a Northern Zhou Dynasty mural: support structure—coarse plaster—fine plaster—red ground layer—paint layer. The use of red pigment as the ground layer is a distinctive feature of Northern Zhou Dynasty mural techniques, with similar practices observed in existing Northern Zhou Dynasty caves at the Mogao Caves. The upper layer is a Northern Song Dynasty mural: coarse plaster—fine plaster—white ground layer—paint layer. The white ground layer mural technique is widely used in the Tang Dynasty, Northern Song Dynasty, Western Xia Dynasty, and Yuan period caves at Mogao.
- (2)
The mural pigments in Cave 5 of the Five Temples Caves are diverse. The lower Northern Zhou Dynasty murals use earth red as the ground layer, with black and gray pigments consisting mainly of lead dioxide, a discoloration product of red lead. The white pigments are composed of calcite, mica, and talc. While calcite white pigments have good whiteness, they are not easily colored, and the addition of talc and mica effectively addresses this issue. The upper Northern Song Dynasty murals use mineral pigments, including azurite (blue), atacamite (green), and hematite (red). Unlike the lower murals, the primary colorants of the white ground layer in the upper murals are calcite and gypsum, consistent with the materials and techniques used in contemporaneous Mogao Caves murals.
- (3)
The multilayered mural plastering technique in Cave 5 of the Five Temples Caves is essentially the same as that of the Mogao Caves, although the materials used for plastering differ. In the lower murals of Cave 5, both the coarse and fine plasters contain wheat straw fibers; in contrast, the upper layer’s fine plaster contains flax fibers, while the coarse plaster contains wheat straw. Infrared spectroscopy analysis confirms that the flax fibers are indeed linen.
Funding
This research was funded by The Local Project Guided by the Central Government of Gansu Province (YDZX20216200001728) and Joint Fund for Regional Innovation and Development of National Natural Science Foundation of China (U21A20282).
CRediT authorship contribution statement
Zhang Bin: Resources, Methodology. Liu Yufei: Resources, Methodology. Yin Zhiyuan: Software, Investigation. Cui Qiang: Software, Investigation. Li Ping: Writing – original draft, Formal analysis, Data curation. Shui Biwen: Writing – review & editing, Validation, Methodology.
Declaration of Competing Interest
The authors declare that they have no known competing financial interests or personal relationships that could have appeared to influence the work reported in this paper.
Acknowledgements
I would like to express my gratitude to Mr. Zhongwei Shan from Gansu Mogao Grottoes Cultural Heritage Protection Design Consulting Co., Ltd. for his assistance with scanning electron microscopy, and to Mr. Ruoyu Song for his help with the sample embedding method.
Data availability
Data will be made available on request.
February 5, 2025 at 07:44PM
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